“Central to the new-music experience in New York.”
– Time Out NY
NEXT
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Ryan Sawyer's Shaker Ensemble // Union Pool, Bklyn
Sunday, October 18, 2026 - 7:00pm
Shaker Ensemble on 261018
Ryan Sawyer, Charlotte Mundy, Shara Lunon, Nick Hallett, Catherine Brookman, Isabel Crespo Pardo, Christopher McIntyre, Conner Simmons, Brian Chase
Union Pool event page -
Feldman & Brown at 100 #1 // St. Paul's Chapel, Columbia U. map
Tuesday, October 20, 2026 - 6:00pm
Tuesday, October 20
Music at 6:00pm
Festival page
Free and open to the public with registration. Please don’t register multiple people under the same email address. REGISTER HERE
While admission to this event is free, donations are warmly encouraged. Your support goes directly toward compensating the artists and helping make ambitious, community-centered festivals like Graphic Content: Feldman & Brown at 100 possible.The Marginal Intersection Orchestra & Ekmeles performs large-ensemble works by Feldman and Brown, alongside a new MATA-commissioned work by Steve Long
St. Paul's Chapel, Columbia University, New York, NY
Feldman: Piano, Cello, and Three Clarinets
Brown: Available Forms I
Feldman: Intersection I
Feldman: Christian Wolff in Cambridge
Brown: Small Pieces for Large Chorus
Long: New MATA Commission
Feldman: Marginal Intersection -
ACO: Hello, America: We Gather Here // Zankel Hall map
Tuesday, October 27, 2026 - 7:30pm
October 27, 2026 at 7:30 PM
Hello, America: We Gather Here
American Composers Orchestra
Zankel Hall, Carnegie Hall | New York City, NYACO event page w tickets
Kedrick Armstrong, Conductor
Tracy Silverman, Electric Violin
Vân-Ánh Vanessa Võ, Đàn Bầu and Đàn Tranh
Andrzej Ciepliński, Clarinet
Mali Irene, Vocals
Sidney Hopson, Percussion
Program
MALI IRENE Deliverance for Orchestra and Community Music Making (World Premiere, co-commissioned by Carnegie Hall)
THEA MUSGRAVE Song of the Enchanter
OSWALD HUỲNH ngủ ngon for Vietnamese Traditional Instruments and Orchestra (World Premiere)
ALEXANDER TIMOFEEV Fantasme No. 2 (World Premiere)
ALEX WEISER Tfiles for Clarinet and Orchestra (US Premiere)
DANIEL BERNARD ROUMAIN America, To US? for Electric Violin and Orchestra (NY Premiere)
This performance is supported by CANVAS, the Koret Foundation, the Kosciuszko Foundation, and UJA Federation New York.Andrzej Ciepliński’s participation in this concert is generously supported by the Polish Cultural Institute New York, the American Friends of POLIN Museum (AFoPM) / Association of the Jewish Historical Institute (SZIH), and the Adam Mickiewicz Institute (IAM).
Ne(x)tworks
From June 2003 to Oct. 2019, Ne(x)tworks was a collaborative ensemble of musicians that created and interpreted work featuring a dynamic relationship between composition and improvisation. In performance and recordings, the group worked to locate pathways into various types of notation systems and interfaces, striving for a meaningful dialogue with the past, present, and future of creative music. Formed in 2003 in New York City, Ne(x)tworks extended the tradition of the performer/composer ensemble by frequently presenting full programs by its members. Its repertoire also encompassed the open scores of New York School and their European counterparts, further experiments by the composer performers of the AACM and SoHo Scene of the 1970's, the so-called Downtown composers of the 80's, and commissioned works by like-minded contemporary colleagues.
Ne(x)tworks released several recordings, including Earle Brown: Tracer on Mode Records, Ne(x)tworks Live Vol. 1: At The Stone, June 2007 and Ne(x)tworks Live Vol. 2: Music by Jon Gibson, both self-release and available at nextworks.bandcamp.com.
McIntyre was a co-founding member of Ne(x)tworks. He composed a number of mixed ensemble works for the group and was program curator from 2006 to 2010.
www.nextworksmusic.net
Ne(x)tworks performing Julius Eastman's Stay On It (1973)
Ecstatic Music Festival, Merkin Concert Hall, 2011
Photo by R Termine, NY Times
