Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
Vivier, Lanzilotti, Walker, Tenney
92NY
1395 Lexington Ave, New York, NY 10128
Saturday, March 22, 2025
Event starts at 7:30pm
Program
Scott Walker Rubato (It: ‘Stolen Time’)
Leilehua Lanzilotti with eyes the color of time
Vivier Zipangu
James Tenney Saxony
Tickets
WU event page
About
In music, tuning sets the stakes and the boundaries of our world. It is the carbon we build mountains with, the oxygen we breathe in, it is our environment and, within the duration of a piece, it becomes us. Tunings often resemble nature, ratios instead of generalities, cycles mirroring the cosmos, and patterns turning up anywhere and everywhere the way we see for example Fibonacci in nature. It is with that outlook then that we turn to look toward ancient musics and pieces not yet heard to find tuning, central in its crystal mathematics and ecstatic formalities shaping a whole weekend of music making. For this special search we call Darkness Sounding congregating and coalescing for the first time outside Los Angeles at 92NY, this year honoring tuning.
Legendary avant-pop icon Scott Walker’s final piece was a siren storm written for Wild Up. We are honored to bring Rubato (It: ‘Stolen Time’) for trombones, strings, and electronics to NYC, performing it for the first time outside Los Angeles. We pair the songs and lineages of Leilehua Lanzilotti’s Pulitzer Finalist work with eyes the color of time, queer Canadian composer Claud Vivier’s futurist Zipangu, and LA composer James Tenney’s celestial improvised wall of overtones Saxony to NYC for the first time in a long time.
Stephen Prina. The Top Thirteen Singles from Billboard’s Hot 100 Singles Chart for the Week Ending September 11, 1993. 1993. Courtesy of the artist and Petzel, New York
CJM revisits his 2015 collaboration with interdiciplinary artist Stephen Prina, music directing and playing trombone throughout the 3 month performance retrospective. Full details TBA in early 2025.
Either/Or at Miller Theater, Oct. 2013
Winner of the 2015 CMA/ASCAP Award for Adventuresome Programming, Either/Or is a flexible chamber ensemble based in New York City that presents a repertoire of new and recent chamber music informed equally by American Experimentalism and European avant-garde practice, with special emphasis on artists outside the institutional mainstream and on works exploring nontraditional ensemble formations. Directors Richard Carrick (conductor/piano) and David Shively (percussion/cimbalom) curate its programming, drawing on a broader collective of 17 regular soloists (and guests) to realize the unique requirements of each project. Since its founding in 2004, Either/Or has premiered more than 125 works (as well as dozens of student compositions), toured throughout the US and Sweden, and recorded for labels such as New Focus, New World Records, Starkland, and Sterling Classics.
Either/Or @ The Kitchen, New York, 27 April 2012
8th annual Spring Festival
Alex Waterman, cello; Chris McIntyre, trombone; Stephanie Griffin, viola; Margaret Lancaster, alto flute; Josh Rubin, bass clarinet; Richard Carrick, piano; David Shively, percussion
Elliott Sharp, electro-acoustic guitar