Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
Final concert of 2015 5ive Boroughs Music Festival
Monday, June 29, 2015 at 7:30 PM
Pre-concert discussion at 6:30 PM
DiMenna Center for Classical Music
450 W 37th St, MANHATTAN
5BMF’s 2014-2015 season concludes in June with the exciting vocal talents of EKMELES! These master interpreters of avant garde vocal music, led by director and baritone Jeffrey Gavett, will join with musicians from TILT Brass and the loadbang ensemble in a thrilling program of works for brass and voice.
Featuring two US Premieres by contemporary European masters and a World Premiere by a young American talent, this new program showcases the flexibility and expressive possibilities inherent in voice and brass. Join us before the concert for a special discussion about creating works for these forces led by Ekmeles director Jeffrey Gavett, composer Christopher Fisher-Lochhead, and trombonist Will Lang (soloist in prosodia daseia).
Program
MATTHIAS SPAHLINGER: über den frühen tod fräuleins anna augusta marggräfen zu baden (US Premiere)
WOLFGANG RIHM: SKOTEINÓS (US Premiere)
CHRISTOPHER FISHER-LOCHHEAD: prosodia daseia (World Premiere)
Performers
Ekmeles: Charlotte Mundy, Mary Mackenzie, Kirsten Sollek, Tomás Cruz, Brian Giebler, Jeffrey Gavett, Kelvin Chan, and Steven Hrycelak, vocalists
Instrumentalists: Andy Kozar, trumpet; Will Lang, Chris McIntyre, Jen Baker and Matt Melore, trombones; Michelle Farah, oboe; Carlos Cordeiro, clarinet
Tickets: $25 General Admission
TILT Brass, 2014 Look & Listen Festival, Invisible Dog Arts Ctr
TILT Brass presents the 2015 installment of To TILT, its on-going series of concerts and recordings that feature work created for the organization's specific forces and skills. The program at University Settlement includes newly commissioned works written for TILT Brass Sextet by Lithuanian composer Žibuoklė Martinaitytė, and trombonist/composer and long-time TILT performer Jacob Garchik.
The Sextet will also premiere an expanded version of TILT Director Chris McIntyre's multi-movement work Fabrics (2014-15) and his transcriptions from Arthur Russell's Tower of Meaning, composed in the early 1980's.
This event takes place during a set of concerts co-organized by TILT and our stellar colleagues at Either/Or (performing on June 10th and 13th.) Located on Manhattan's Lower East Side, the excellent acoustics of University Settlement's Speyer Hall is a perfect venue for these not-to-be-missed concerts during NYC's busy Summer season.
Either/Or at Miller Theater
Next iteration of revered director and multimedia artist Yoshiko Chuma's multi-year project π = 3.14. CJM performs live on trombone, synths, and software.
Hiroyuki Ito for The New York Times
CJM joins and all-star group (James Rogers, Yarn/Wire, Ilan Volkov) to perform ensemble realizations of work by Wolf Eyes' Nate Young. Opening night of Tectonics Festival New York 2015.
Facebook Event Page
ISSUE Project Room's Tectonics Page
NOTE: ISSUE Project Room is hosting this event off-site
CJM is Music Director for an evening of works by renown visual artist and musician Stephen Prina.
Prina on Wikipedia
Petzel Gallery page
The Kitchen Event Page
Facebook Event Page
Personnel:
composer, guitar, vocal - Stephen Prina
Music Dir. - Chris McIntyre
oboe - Michelle Farrah
clarinet - Christa Van Alstine
trumpet - Tim Leopold
horn - Rachel Drehmann
trombone - Will Lang
violin - Jenny Choi
viola - Erin Wight
piano - Stephen Gosling
flute 1 - Margaret Lancaster
flute 2 - Barry Crawford
flute 3 - Jessica Schmitz
flute 4 - Katie Cox
flute 5 - Roberta Michel
flute 6 - Valerie Coleman-Page
L to R: James Tenney, Margret Lancaster, Cornelius Duffalo, James Fei, CJM, Daniel Goode
2005, ISSUE Project Room, E. 6th St, NYC
A James Tenney Concert: The Postal Pieces and Other Selected Works
Event Page
"As part of their current season dedicated to Carolee Schneemann, The Artist’s Institute presents a concert of rarely performed works by composer James Tenney (1934-2006), Schneemann’s romantic and creative partner during the first decade of her career. At the center of the program are selections from Tenney’s Postal Pieces (1965-1971), a series of eleven compositions originally written on postcards to contemporaries including Philip Corner, Alison Knowles, and La Monte Young, among others. Tenney referred to the set as “koans” and like the Buddhist paradoxes these pieces are both rigorously constructed and radically open to interpretation: “Having Never Written a Note for Percussion,” for example, indicates that any piece of percussion play a precise, symmetrical swell for a duration of “very long.” In Tenney’s words, these are sounds “for the sake of perceptual insight” that use their predictable, deductive forms towards a counter-intuitive indeterminacy: pure change without the safety-net of dramatic conventions.
Also included in the program is the early “Improvisation for Cello” (1956), as well as several late instrumental ensemble works and electroacoustic tape pieces. Eric Smigel, associate professor of music at San Diego State University, will introduce the concert with a presentation on the late composer’s life and work with Schneemann.
Organized by Alex Waterman
with special thanks to Larry Polansky
Performers: Shelley Burgon, Richard Carrick, Conrad Harris, Miguel Frasconi, Chris McIntyre, Reuben Radding, and David Shively"
TILT Brass kicks off its Spring 2015 season at JACK, an intimate neighborhood multi-arts venue located in Clinton Hill. The program revisits TILT's creative music origins with work highlighting the improvisational skill and experience of its players. The program features a wide range of recent and classic graphic and strategic scores. Composers include Berlin-based English composer and electronic musician Richard Barrett, an early composition by legendary composer and multi-instrumentalist Anthony Braxton, and selections from Cornelius Cardew's touchstone graphic score Treatise.
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PURCHASE TICKETS
[$12.50 advance, $15 door]
Detail from Braxton's "Comp. 18" (1971)
PERSONNEL
Chris McIntyre - Music Director, trombone
trumpet Timothy Leopold, Andrew Kozar, Tom Verchot
trombone Jen Baker, Jacob Garchik, Will Lang, James Rogers (bass)
Nathan Koci - horn, accordion
PROGRAM
Anthony Braxton 8KN-(J-6) [aka Comp. 18] (1971)
1
R10
Cornelius Cardew Selections from Treatise (1963-67)
Richard Barrett Codex XII (2013)
Other works TBA
http://empac.rpi.edu/events/2015/spring/talea-ensemble
Poppe's words on Speicher:
"Musical phenomena are never abstract. The idea behind Speicher is the search for extremes—extreme condensation, thinning, acceleration, broadening. For the piece to be able to continue and remain interesting, it is important—besides diversity—for the audience to be able to recognize certain parts. Anything can be recognizable—a single sound as well as a complete formal structure. Therefore it seems less important to keep inserting new ideas into the piece but rather to create an unpredictable network of derivations. The next step would be to be able to foresee what will happen next. Thus, an active way of listening would be created. But, in a reservoir [“speicher”], things always get into a mess anyway."
Talea Ensemble: Enno Poppe – Speicher from EMPAC @ Rensselaer on Vimeo.
From Roulette's website:
In his first New York concert in four years Nicolas Collins presents a mix of recent works for ensemble and solo electronics. In Roomtone Variations the resonant frequencies of the Roulette concert hall are mapped, in real time, through controlled acoustic feedback, and projected as staff notation. Once the staves are filled the musicians in Either/Or improvise variations on the notes, gradually stepping through this site-specific “architectural tone row”. The computer-generated notation in Bracken guides the ensemble through interactions inspired by Christian Wolff’s “coordination” scores of the 1960s, extended by adapting techniques of electronic music onto acoustic instruments. In Speak Memory data files of pictures are encoded in sound, played back through speakers, momentarily stored in the reverberation time of the hall, but “forgotten” as the sound decays; the process is recorded, then reviewed in slow motion, revealing the erosion of sound and image. Circuits and software round out an evening of adventurous electro-acoustic music.
James Ilgenfritz - bass
Kirsten Carey - guitar
Michael Foster - saxophone
Gisburg - voice
Chris McIntyre - trombone
Dafna Naphtali - voice, electronics
John O'Brien - percussion
Jonah Rosenberg - keyboard
Devin Braja Waldman - saxophone
600 Vanderbilt Ave. (@ St. Marks) Prospect Heights
2/3 to Grand Army Plaza B/Q to 7th Ave C/G to Clinton/Washington
Featuring two premieres from a long-time E/O collaborator. If We Knew the Sky, for large ensemble (world premiere, commissioned by E/O with support from the Jebediah Foundation), and Letting Time Circle Through Us, for sextet (NY premiere, commissioned by E/O with support from Meet the Composer/Commissioning USA).
50th Birthday concert: Terry Riley’s In C
Presented by Darmstadt Essential Repertoire and LPR
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LPR Event Page
Fifty years to the day after its premiere at the San Francisco Tape Music Center, Terry Riley’s pioneering, free-wheeling composition In C (1964) is celebrated by Gotham’s “most vital, audacious and energizing performance” (New York Times) of the work. Convened by the Darmstadt series (also celebrating its 10th anniversary), the group features members of Ensemble LPR, Hotel Elefant, and a diversity of musicians at the crossroads of New York’s new music scene. Visuals by Victoria Keddie and Scott Kiernan/ESP TV.
VIOLIN
Eli Spindel
Pauline Kim Harris
Conrad Harris
VIOLA
Jeanann Dara
David Handler
Jessica Pavone
CELLO
Rubin Kodheli
Justin Kantor
GUITAR
Jim McHugh
David Grubbs
Elliott Sharp
John King
BASS
Zach Layton
KEYBOARD
Marina Rosenfeld
David Friend
FLUTE
Domenica Fossati
Katie Cox
CLARINET
Isabel Kim
CONTRABASS
Shawn Lovato
TROMBONE
Chris Mcintyre
Sam Kulik
SAXOPHONE
Peter Gordon
Evan Rapport
Matana Roberts
Jeff Tobias
VOICE
Megan Schubert
Daisy Press
Katie Eastburn
Nick Hallett
HARP
Shelly Burgon
KOTO
Miya Masaoka
ACCORDION
Du Yun
PERCUSSION
Mustafa Ahmed
VISUALS
Victoria Keddie and Scott Kiernan
TICKETS: $20/$25/$30
Invited by music faculty member Harris Eisenstadt, TILT Brass Trio performs a wide range of historical works for the students and community at SUNY Maritime in The Bronx.
Chris McIntyre - trombone, Director
Sam Nester - trumpet
Nathan Koci - horn
PROGRAM
Hoquetus David (ca. 1360) - Guillaume de Machaut
See myne owne sweet jewell (1593) - Sir Thomas Morley
From Canzonets or Little Short Songs to three voyces
Fugue II (1722) - J. S. Bach (arr. C. McIntyre)
From Well Tempered Clavier (Book 1)
Sinfonia I (1723) - J. S. Bach (arr. C. McIntyre)
From Inventions and Sinfonias (BWV 772–801)
Allegro & Menuetto from Divertimento II K.229 No.2 (1803) - W. A. Mozart
Sonata (1924) - Francis Poulenc
I. Allegro moderato
II. Andante
III. Rondeau
Elite Syncopations (1902) - Scott Joplin (arr. B. Holcombe)
Selections from Bela Bartok Set for brass trio - arr. C. McIntyre
From Mikrokosmos (1940) except where noted
In Three Parts
Tale
VI [from 14 Bagatelles (1908)]
Bulgarian Rhythm 2
Bulgarian Rhythm 1
Freedom Jazz Dance (1965) - Eddie Harris (arr. C. McIntyre)
Guest - Harris Eisenstadt, percussion
Ne(x)tworks returns to ISSUE Project Room for an early evening program of new works by New York composers Paul Pinto, Gelsey Bell, and ensemble-member Miguel Frasconi.
TICKETS
PROGRAM
Paul Pinto – Unintelligible Response
La Barbara, Burgeon, Dharamraj, Gosling, Kim
Gelsey Bell – Weight (Premiere)
tutti
Miguel Frasconi - Sun Studies (Premiere)
tutti
Ne(x)tworks
Joan La Barbara – voice; Shelley Burgon – harp & electronics; Yves Dharamraj – cello; Miguel Frasconi - glass & electronics; Stephen Gosling – piano; Ariana Kim – violin; Christopher McIntyre – trombone & electronics
UllU plays John King's Born Into Flames series at Spectrum
$15
Spectrum
121 Ludlow Street, 2nd floor (between delancey and rivington)
2 blocks from the F, M, J/Z trains at Essex/Delancey.
UllU joins violinist Todd Reynolds in a double bill on John King's monthly series Born Into Flames. UllU (Hindi for “owl”) is Chris McIntyre on trombone, tapes, synths, and drums, and Either/Or's David Shively on feedback-drumkit, tapes, and piano. They share an interest in the ecstatic potential of the drone and an inability to escape Modernism. UllU perform works of extended duration in which practical mechanics of sound production collide with formal concerns. Previous shows at Incubator Arts Project, The Stone, Experimental Intermedia, and collaborations with TILT Brass, Eli Keszler, Taylor Levine, and James Fei. August, UllU’s debut recording, is available on Non-Site Records. In South Asian tradition, the owl is in fact considered a very foolish bird.
by Chris McIntyre
In collaboration with TILT Brass, Ed Bear, and David Shively
A site-specific performance and installation at Jacob K. Javits Federal Building Plaza
Chris McIntyre - Composer and Creative Director
Ed Bear - Technical Director
David Shively - feed-back drums
TILT Brass
Trumpet
Garth Flowers, Mike Gurfield, Rich Johnson, Tim Leopold, Stephanie Richards
Trombone
Jen Baker, Jacob Garchik, Sam Kulik, Will Lang, Matt Melore, James Rogers, Peter Zummo
Contextual information available on the project Tumblr site
Conceived by composer and trombonist Chris McIntyre for SummerStreets, Presencing Piece No.1 (Fed Plaza) is a collaborative, site-specific sonic experience designed for the Jacob K. Javits Federal Building Plaza. Unfolding over a 2-hour period, Presencing Piece... features a 12-piece compliment of Brooklyn-based experimental music group TILT Brass, Either/Or percussionist David Shively, and a state-of-the-art implementation of multiple PA speakers. McIntyre locates the live musicians and the arrayed speakers around the plaza to amplify physical and intangible properties of the site. The PA system and other small devices broadcast sound via infrared transmitters with which the audience is able to interact. The goal for McIntyre and his collaborators (including tech director Ed Bear) is to transform the audience’s sense of aural dimensionality and scale as they are immersed in the simultaneity of sound and spectacle. The piece also aims to create a dialogue between the present and past of the site. One piece of this is the presentation of text-based sounds that tell abstract histories specific to the site and surrounding area. Content ranging from local geologic data, facts about Manhattan’s pre-colonial population, and fragments of other social and political narratives is projected from the on-site speakers while also accessed in earphones from “hidden” online sources (directed via QR-code posters). To many contemporary New Yorkers, “Fed Plaza” is tied to Richard Serra’s site-specific sculpture Tilted Arc (1981), an extremely controversial work that was commissioned for and eventually removed from the site. March 2014 marked the 25th anniversary of its deinstallation. McIntyre and Company’s impressions of the dialogic relationship between Serra’s work and the plaza are found at the core of Presencing Piece No.1 (Fed Plaza).
On July 25 & 26, TILT Brass joins a stellar cast of New Music stars to give the World Premiere recent Pulitzer Prize winner John Luther Adams' Sila: The Breath of the World. The new piece was commissioned by Mostly Mozart and Lincoln Center Out of Doors.
TILT Brass for Sila:
trumpet – Mike Gurfield, Tom Bergeron, Tim Leopold, Matt Mead, Sam Nester, Stephanie Richards
trombone – Jen Baker, Daniel Linden, Mike Lormand, Chris McIntyre
horn – Wei-Ping Chou, Jenny Ney, Jason Sugata, Cameron West
tuba – John Altieri, Ben Stapp
More details on the Lincoln Center website.
On July 25 & 26, TILT Brass joins a stellar cast of New Music stars to give the World Premiere recent Pulitzer Prize winner John Luther Adams' Sila: The Breath of the World. The new piece was commissioned by Mostly Mozart and Lincoln Center Out of Doors.
TILT Brass for Sila:
trumpet – Mike Gurfield, Tom Bergeron, Tim Leopold, Matt Mead, Sam Nester, Stephanie Richards
trombone – Jen Baker, Daniel Linden, Mike Lormand, Chris McIntyre
horn – Wei-Ping Chou, Jenny Ney, Jason Sugata, Cameron West
tuba – John Altieri, Ben Stapp
More details on the Lincoln Center website.
TILT Brass' Chamber Music Show feat. TILT Brass Trombones
Performers include: Chris McIntyre, Jacob Garchik, Dave Nelson, Will Lang, Jen Baker, James Rogers
Tentative Program:
Jacob Druckman - Animus 1 (for solo trombone and tape) (1966)
Giacinto Scelsi - Three Pieces (for trombone) (1957)
Peter Zummo - work from 1980's
Iannis Xenakis - Keren (for solo trombone) (1986)
Chris McIntyre - premiere of new septet piece
Phill Niblock - A Third Trombone (1979) (live septet version)
Creating sound score for Yoshiko-san's current project
Ne(x)tworks Residency at Cornell University
Ne(x)tworks visits Cornell in Ithaca, NY for a 3-day residency including graphic score investigations, ensemble and local composer works, and a performance of its signature realization of John Cage's Song Books (1970)
In addition to the James Fei Ensemble, the evening features The Trillium Chamber Players performing Anthony Braxton’s Composition No. 46.
James Fei: Hysteresis
James Fei, Josh Sinton - saxophones & contrabass clarinet
Jen Baker, Christopher McIntyre - trombone
Kato Hideki - electric bass
Ed Tomney - analog electronics
Excerpt from Sylva Sylvarum
Elliott Sharp’s SysOrk
Thursday, March 13, 2014 @ 8:00 pm
SysOrk is a large ensemble dedicated to performing algorithmic scores, graphic notation, and conductions created by composer and multi-instrumentalist Elliott Sharp. For this first NYC concert of SysOrk, the ensemble will premiere the projected graphic score Sylva Sylvarum as well as performing Flexagons, an algorithmic score composed in 2011.
Sharp is the 2015 winner of the Berlin Prize in Music Composition. His recent string quartets Tranzience and Mare Undarum have been premiered by JACK and Sirius quartets and violin virtuoso Hilary Hahn has been performing Storm of the Eye, a work commissioned by her. For this first NYC concert of SysOrk, the ensemble will premiere the projected graphic score Sylva Sylvarum as well as performing Flexagons, an algorithmic score composed in 2011.
SysOrk is neither fixed in personnel nor location but instead is situationally based. SysOrk debuted in December 2012 with concerts in Nagoya and Tokyo performing Sharp’s graphic score Foliage.
SysOrk for this concert will include:
Andrew Drury – drums, percussion
Terry Greene – trombone
James Ilgenfritz – contrabass
Judith Insell – viola
Ron Lawrence – viola
Tim Leopold – trumpet
Jenny Lin – piano
Chris McIntyre – trombone
Oscar Noriega – reeds
Jessica Pavone- viola
Reuben Radding – contrabass
Danny Tunick – percussion, vibraphone
Elliott Sharp - electroacoustic guitar, bass clarinet