Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
Transpositions: Music by A. Braxton, M. & K. Obadike
Sunday, December 8, 2024
8:00 PM 9:30 PM
Church of St. Luke & St. Matthew
520 Clinton Avenue Brooklyn, NY, 11238
Either/Or presents an evening of works that situate the players and their audience in a compelling dialogic relationship between notation and improvisation, featuring Anthony Braxton's pivotal and rarely heard Composition No.98 (1981) for quartet and selections from Mendi + Keith Obdike's graphic score collection Big House/Disclosures (2007).
Composition No.98
Braxton's Composition No.98 (1981) is a pivotal work in the prolific composer/performer's oeuvre, fully realizing the total fusion of conventional and visual notation. EO brings together a special quartet to revive this rarity, featuring James Fei (long-time Braxton collaborator) on woodwinds, Jonathan Finlayson on trumpets, Chris McIntyre on trombones and euphonium, and Richard Carrick on keyboards.
Excerpt from Big House/Disclosures
At the excellent new Brooklyn venue Church of St. Luke & St. Matthew, EO is also revisiting Mendi + Kieth Obadike's Big House/Disclosures (2007), the fecundated collection of graphic scores “...inspired by Nigerian nsibidi writing, European music notation, and architectural drawings.” Big House/Disclosure was the inaugural work in the Obadike's ongoing series of multimedia works entitled The Americana Suites.
PERSONNEL
James Fei (woodwinds), Johnathan Finlayson (trumpets), Chris McIntyre (trombones, euphonium), Richard Carrick (keyboards)
Either/Or - Anthony Braxton composer portrait at Miller Theatre (Sep. 2019)
L to R: Chris Mcintyre, richard carrick, james fei, jonathan finlayson
detail of photo by Anthony creamer
Preview at Willow Place Auditorium of December 18th program at Paula Cooper Gallery
The Orchestra of the S.E.M. Ensemble
Joseph Kubera, Piano
Kamala Sankaram, Soprano
Petr Kotik, Conductor
John Cage Concert for Piano and Orchestra (1958)*
Rudolf Komorous Olympia (1962)
Anna Heflin The Man who Owned the Forest... (2023)
Luboš Mrkvička Quartet, Part A (2021)
Morton Feldman Structures (1951)
Petr Kotik Why Melody? (2024 – premiere)*
* CJM on trombone
Free concert RSVP
The Orchestra of the S.E.M. Ensemble
Joseph Kubera, Piano
Kamala Sankaram, Soprano
Petr Kotik, Conductor
John Cage Concert for Piano and Orchestra (1958)*
Rudolf Komorous Olympia (1962)
Anna Heflin The Man who Owned the Forest... (2023)
Luboš Mrkvička Quartet, Part A (2021)
Morton Feldman Structures (1951)
Petr Kotik Why Melody? (2024 – premiere)*
* CJM on trombone
Tickets
$19 in advance, RSVP
$25 at the door
[120 words]
Christopher McIntyre is a Brooklyn-based trombonist, curator, composer, band leader, and educator. Known for his involvement in Julius Eastman’s music, Chris serves as Director of TILT Brass (co-founder in 2003) and as Curator and trombonist for Either/Or Ensemble. He specializes in ensemble work meshing improvisative & interpretive material as a player and as a composer and music director. He regularly performs in groups such as TILT, Either/Or, SEM and Talea Ensembles, and American Composers Orchestra, among many others. McIntyre leads an active career as an independent concert programmer in New York (The Kitchen, MATA Festival, Ne(x)tworks, and ISSUE Project Room) and currently teaches at Mannes School of Music at The New School and in the ACO’s Teaching Artist program. cmcintyre.com
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[218 words]
Christopher McIntyre enjoys a singular, wide-ranging career in music and the performing arts. An in-demand performer on trombone and electronics, McIntyre specializes in ensemble work meshing improvisative & interpretive material as a player and as a composer, conductor, and band leader. Based in Brooklyn and bred in Minnesota, he composes for various media and instrumental forces, often employing creative systems suggested by the work of visual artists such as Serra, Smithson, and LeWitt. He serves as program curator and trombonist for NYC ensembles Either/Or and TILT Brass, as well as Director and Co-Founder of the latter. McIntyre also independently curates events for local venues including ISSUE Project Room and The Kitchen. He frequently performs around the city and in Europe with TILT, Either/Or, SEM and Talea Ensembles, among many others including numerous composer-led projects. He can be heard on recordings released by New World, Tzadik, XI, Mode, Braxton House, Edition Modern, POTTR, zOaR, and Non-Site Records. Since 2006, McIntyre has contributed to the broad revival of composer Julius Eastman’s music by creating several score realizations and leading performances by SEM, TILT Brass, Talea & Harlem Chamber Players, Queens College’s Copland Ensemble, Philly’s Arcana NME, and members of Orchestra of St. Lukes. He teaches contemporary brass chamber music at Mannes School of Music at The New School. cmcintyre.com
Updated 220815