Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
October 27, 2026 at 7:30 PM
Hello, America: We Gather Here
American Composers Orchestra
Zankel Hall, Carnegie Hall | New York City, NY
ACO event page w tickets
Kedrick Armstrong, Conductor
Tracy Silverman, Electric Violin
Vân-Ánh Vanessa Võ, Đàn Bầu and Đàn Tranh
Andrzej Ciepliński, Clarinet
Mali Irene, Vocals
Sidney Hopson, Percussion
Program
MALI IRENE Deliverance for Orchestra and Community Music Making (World Premiere, co-commissioned by Carnegie Hall)
THEA MUSGRAVE Song of the Enchanter
OSWALD HUỲNH ngủ ngon for Vietnamese Traditional Instruments and Orchestra (World Premiere)
ALEXANDER TIMOFEEV Fantasme No. 2 (World Premiere)
ALEX WEISER Tfiles for Clarinet and Orchestra (US Premiere)
DANIEL BERNARD ROUMAIN America, To US? for Electric Violin and Orchestra (NY Premiere)
This performance is supported by CANVAS, the Koret Foundation, the Kosciuszko Foundation, and UJA Federation New York.Andrzej Ciepliński’s participation in this concert is generously supported by the Polish Cultural Institute New York, the American Friends of POLIN Museum (AFoPM) / Association of the Jewish Historical Institute (SZIH), and the Adam Mickiewicz Institute (IAM).
Either/Or event page
Mozart's Chair exhibit page

Stephen Prina String Quartet for Six Players, No. 1, 1976 - 2023
Acrylic, ink, and graphite on polyester drafting film

Friday, November 13
Doors at 7 PM, Music at 7:30 PM
Festival page
Directed by Anthony Coleman, this concert features Feldman’s arrangment of a Kurt Weill song, alongside works by Oliveros, Brown, and Coleman
St. Michael's Church, New York, NY
Feldman/Weill: Arrangement of Alabama Song for jazz ensemble
Oliveros: The Well
Brown: 4 Systems
Coleman: Call 8
[161 words]
Christopher McIntyre is a Brooklyn-based trombonist, curator, composer, music director, and educator. Known for his expansive engagement with the music of Julius Eastman, Chris serves as Director of TILT Brass (co-founder in 2003) and Co-Director and trombonist of Either/Or Ensemble. He specializes in ensemble work meshing improvisative & interpretive material as a player and as composer and director. McIntyre’s compositions have been performed at venues including MoMA, City Center, Gagosian, Miller Theatre, and The Kitchen. He regularly performs with TILT, Either/Or, and American Composers Orchestra, among many others. McIntyre leads a distinguished career as an independent concert programmer in New York (The Kitchen, MATA Festival, Ne(x)tworks, ISSUE Project Room) and music director (projects at MoMA and Guggenheim, leading Eastman’s Femenine with SEM & Talea Ensembles and Orchestra of St. Luke’s.) He teaches at Mannes School of Music at The New School and in the ACO’s Teaching Artist program, and is a member of ISSUE’s Board of Directors. cmcintyre.com
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[248 words]
Christopher McIntyre cultivates a wide-ranging career in music and the performing arts. An in-demand performer on trombone and electronics, McIntyre specializes in ensemble work meshing improvisative & interpretive material as a player and as a composer and conductor. Based in Brooklyn and bred in Minnesota, he composes for various media and instrumental forces, often employing creative systems suggested by the work of visual artists such as Serra, Smithson, and LeWitt. He serves as Director of TILT Brass (co-founder in 2003) and Co-Director and trombonist of Either/Or Ensemble. McIntyre has also led an active 22 year career as an independent concert programmer and producer in New York (The Kitchen, MATA Festival, Ne(x)tworks, and ISSUE Project Room.) He frequently performs in New York and Europe with TILT, Either/Or, SEM and Talea Ensembles, and American Composers Orchestra, among many others including numerous composer-led projects. He can be heard on recordings released by New World, Tzadik, XI, Mode, Braxton House, Edition Modern, POTTR, zOaR, and Non-Site Records. Since 2006, McIntyre has contributed to the broad revival of composer Julius Eastman’s music by creating several score realizations and leading performances by SEM, TILT Brass, Talea & Harlem Chamber Players (released on Kairos), Queens College’s Copland Ensemble, Philly’s Arcana NME, and members of Orchestra of St. Luke's. He teaches contemporary brass chamber music at Mannes School of Music at The New School and in the ACO’s Teaching Artist program, and is a member of ISSUE Project Room’s Board of Directors. cmcintyre.com
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