Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
Transpositions: Music by A. Braxton, M. & K. Obadike
Sunday, December 8, 2024
8:00 PM 9:30 PM
Church of St. Luke & St. Matthew
520 Clinton Avenue Brooklyn, NY, 11238
Either/Or presents an evening of works that situate the players and their audience in a compelling dialogic relationship between notation and improvisation, featuring Anthony Braxton's pivotal and rarely heard Composition No.98 (1981) for quartet and selections from Mendi + Keith Obdike's graphic score collection Big House/Disclosures (2007).
Composition No.98
Braxton's Composition No.98 (1981) is a pivotal work in the prolific composer/performer's oeuvre, fully realizing the total fusion of conventional and visual notation. EO brings together a special quartet to revive this rarity, featuring James Fei (long-time Braxton collaborator) on woodwinds, Jonathan Finlayson on trumpets, Chris McIntyre on trombones and euphonium, and Richard Carrick on keyboards.
Excerpt from Big House/Disclosures
At the excellent new Brooklyn venue Church of St. Luke & St. Matthew, EO is also revisiting Mendi + Kieth Obadike's Big House/Disclosures (2007), the fecundated collection of graphic scores “...inspired by Nigerian nsibidi writing, European music notation, and architectural drawings.” Big House/Disclosure was the inaugural work in the Obadike's ongoing series of multimedia works entitled The Americana Suites.
PERSONNEL
James Fei (woodwinds), Johnathan Finlayson (trumpets), Chris McIntyre (trombones, euphonium), Richard Carrick (keyboards)
Either/Or - Anthony Braxton composer portrait at Miller Theatre (Sep. 2019)
L to R: Chris Mcintyre, richard carrick, james fei, jonathan finlayson
detail of photo by Anthony creamer
Preview at Willow Place Auditorium of December 18th program at Paula Cooper Gallery
The Orchestra of the S.E.M. Ensemble
Joseph Kubera, Piano
Kamala Sankaram, Soprano
Petr Kotik, Conductor
John Cage Concert for Piano and Orchestra (1958)*
Rudolf Komorous Olympia (1962)
Anna Heflin The Man who Owned the Forest... (2023)
Luboš Mrkvička Quartet, Part A (2021)
Morton Feldman Structures (1951)
Petr Kotik Why Melody? (2024 – premiere)*
* CJM on trombone
Free concert RSVP
The Orchestra of the S.E.M. Ensemble
Joseph Kubera, Piano
Kamala Sankaram, Soprano
Petr Kotik, Conductor
John Cage Concert for Piano and Orchestra (1958)*
Rudolf Komorous Olympia (1962)
Anna Heflin The Man who Owned the Forest... (2023)
Luboš Mrkvička Quartet, Part A (2021)
Morton Feldman Structures (1951)
Petr Kotik Why Melody? (2024 – premiere)*
* CJM on trombone
Tickets
$19 in advance, RSVP
$25 at the door
Quotes:
"...what makes the record (J. Eastman’s Femenine on Kairos) stand out—what makes it brilliant, really—is music director Chris McIntyre's synthesizer. It fills the bass floor and reaches across the registers occupied by other instruments. It dances through the forward motion."
Stereophile (Oct. '24)
"Chris McIntyre’s new edition of [Julius Eastman's Trumpet]... successfully brought across the vivid variety of approaches in many Eastman works."
New York Times (Feb. '18)
"Chris McIntyre has played a signal role in the much heralded recent rediscovery... of works by Julius Eastman" New Yorker (Sep. '18)
"Christopher McIntyre brought formidable sensitivity to parts that were often painfully self-effacing"
New York Times (June '15)
"The Fifth [Berio Sequenza], for trombone, limns the instrument’s capacity for robust humor with melancholy undercurrents; Chris McIntyre gave full measure to both in a poignant interpretation."
New York Times (Dec. '10)
TILT Brass, a "vital new-music ensemble"
Time Out New York (Aug. '10)
"...with every passing week, trombonist-composer Chris McIntyre becomes more central to the new-music experience in New York."
Time Out New York (Nov. '09)
"...the most important and engaging individuals are often those who serve a sinuous and binding role, i.e. those whose work within the field codifies a disparate mass into this thing that we call 'the new music community'. Chris McIntyre is one of those people."
NewMusicBox (July '09)
McIntyre's composition Raster for quintet one of many "incredible discoveries" during 2009 MATA Festival
NewMusicBox (April '09)
FEATURES
Open Forms podcast - Chris McIntyre on Julius Eastman
Talea Ensemble pocast, interviewed by Tori Chea; Released June 30, 2021
An Experimental Music Ensemble Won’t Just Fade Away
(NY Times interview about Ne(x)tworks final concert on 10/24/2019) - Oct. 23, 2019
Long-Lost Score, Rebuilt With the Help of a Photo
(NY Times interview with McIntyre about his transcription of Julilus Eastman's 1970 work Trumpet) - Jan. 19, 2018
Chris McIntyre - Integral Force (NewMusicBox) - July 22, 2009
Ne(x)tworks profile (Time Out New York) - April 9, 2008
REVIEWS
TILT Brass:
Gentler State of Communion (NY Times review of Julius Eastman's Trumpet at The Kitchen, 180203)
Review: Richard Barrett Brings His Electronic Scores to Spectrum (NY Times, 150625)
TILT Brass Offers Five Premieres at Concert at Roulette (NY Times, 130627)
A Blast of Brass on a Block of Greenwich Townhouses (ICIYL, 120530)
FESTIVAL OF NEW TRUMPET MUSIC (NY Times, 120921)
Ne(x)tworks:
An Experimental Music Ensemble Won’t Just Fade Away (NY Times by Steve Smith) - Oct. 23, 2019
Continuing a Celebration of a Composer (and Godfather) - Ne(x)tworks perf. Earle Brown (NY Times by Steve Smith) - April 19, 2007
Canal Zone - Ne(x)tworks perf. Kenji Bunch's opera (New Yorker by Alex Ross) - May 15, 2006
MATA:
2008 MATA Festival - Boston Modern Orchestra Project (NY Times by Allan Kozinn) - April 3, 2008
MATA Interval 2.2 (NY Times by Allan Kozinn) - Nov. 20, 2008
2009 MATA Festival - The Knights (NY Times by Allan Kozinn) - April 1, 2009
2009 MATA Festival (NewMusicBox by Frank Oteri) - April 7, 2009
2010 MATA Festival - Matt Wright and Calder Quartet (NY Times by Steve Smith) - April 21, 2010
With Yoshiko Chuma:
DANCE REVIEW | '60S SNAPSHOTS' (NY TImes by J. Dunning) - Aug. 25, 2007 (CJM pictured)
Framing Sevens (Village Voice by Elizebeth Zimmer) - Aug. 8, 2006
"Sundown" on the Gowanus Canal (NY Theater Wire by Jack Anderson) - July 31, 2006
Seven Hours of Yoshiko Chuma’s ‘Sundown’ (NY Times by John Rockwell) - July 31, 2006
DANCE REVIEW | 'ART ON THE BEACH REVISITED' (NY Times by Gia Kourlas) - June 5, 2005
Curator:
Conversations, Free-Flowing Yet Precise [A Power Stronger Than Itself AACM Festival, The Kitchen] (NY Times by Nate Chinen) Oct. 10, 2008
A Tribute to Arthur Russell: Celebrating Undefinable Songwriting [Arthur Russell Festival, The Kitchen] (NY Times by Ben Ratliff) May 19, 2008
Swimming Upstream • Zach Baron on a film about Arthur Russell (Artforum by Zach Baron) May 19, 2008
Five Concerts All At Once, And It's Quiet [((Tune In)) The Kitchen, New Sound, New York Festival, 2004] (NY Times by Jon Pareles) April 24, 2004
Various:
Celebrating New Music, Just Off the Beaten Path [Darmstadt's Berio Sequenza event]
(NY Times by Steve Smith) Dec. 3, 2010 (CJM pictured & mentioned)
That Same Old Beat, With Brand-New Choices [Darmstadt's In C] (NY Times by Allan Kozinn) Dec. 1, 2007 (CJM pictured)