Central to the new-music experience in New York.
– Time Out NY
Central to the new-music experience in New York.
– Time Out NY
Met Muesum Event Page
Analog Arts Klang Page
Klang (Die 24 Stunden des Tages)
by Karlheinz Stockhausen (U.S. Premiere)
CJM performs during Glanz (Brilliance), the 10th hour in the Klang cycle.
Glanz personnel:
Bryan Young, bassoon
Alexandrina Boyanova, viola
Vasko Dukovski, clarinet
Joe Drew, trumpet
Chris McIntyre, trombone
Kemp Jernigan, oboe
Jay Rozen, tuba
Karlheinz Stockhausen's fiercely original KLANG (meaning "sound" in German) is an acoustic and electronic work so massive that it requires all day and all three of the Met's iconic buildings to stage. This twenty-one-part, unfinished composition was originally envisioned by Stockhausen as consisting of twenty-four individual compositions (one for each hour of the day), but the work was left unfinished at the time of his death. This performance will mark the U.S. premiere of Klang in its entirety, and will be performed at the Metropolitan Museum's Fifth Avenue building, The Met Breuer, and The Cloisters museum and gardens in Fort Tryon Park. More details will follow."
TILT Brass Sextet reprises the recently premiered A Fistful of Footfalls during this evening-length celebration of Anthony Coleman's 60th Birthday.
Roulette event page
Facebook event page
Daniel Goode Birthday Concert
Friday, February 12, at 7:30 pm
the cell theatre
338 West 23rd St
NY, NY
The premiere of Daniel Goode's Clarinet Quintet is by the distinguished Momenta Quartet, founded by violist Stephanie Griffin, with virtuoso clarinetist Moran Katz as soloist. They've just issued their first CD. The quartet will also be part of the fifteen-instrument Flexible Orchestra, a large ensemble founded by Mr. Goode in 2004, here conducted by David Gilbert, formerly the Manhattan Opera Orchestra conductor, and professor at that conservatory. Mr. Gilbert conducted the premiere of the revival of Mr. Goode's groundbreaking, "minimalist symphony" Tunnel Funnel in 1988. That work is recorded on Tzadik Records, a company started by composer-performer, John Zorn. Then music critic of the Village Voice, Kyle Gann, called Tunnel Funnel 'tune of the decade.' "
Program:
Tunnel Funnel for 15 instruments performed by the Flexible Orchestra conducted by David Gilbert.
Clarinet Quintet, world premiere for the Momenta Quartet and Moran Katz, clarinetist.
[from Composers Now event page]
http://danielgoode.com/
Yoshiko Chuma and the School of Hard Knocks
present:
π = 3.14…THREAT
Concept: Dry Tech and Direction by Yoshiko Chuma
Featuring: Heather Litteer and Miriam Parker ( Actresses), Yukio Suzuki and Yoshiko Chuma (Dancer), and Christopher McIntyre (Musician, trombone)
The School of Hard Knocks Under the artistic direction of Yoshiko Chuma, The School of Hard Knocks is a New York-based collective of choreographers, dancers, actors, singers, musicians, designers, and visual artists. Since premiering at the 1980 Venice Biennale, this award-winning company has created and performed over 60 original works in the United States, Asia, Europe, and the Middle East. The School of Hard Knocks takes its name from the American idiom meaning to learn things the hard way on the proverbial "street," and was first used as the title of a performance at the 1980 Venice Biennale. Over the course of the company's history, more than 2,000 people have performed to wide critical acclaim under Chuma's direction in theatrical dance concerts, street performances, grand parades, large-scale spectacles and
intimate living rooms.
Yoshiko Chuma, Conceptual Artist/Choreographer/Artistic Director of The School of Hard Knocks, has been a firebrand of New York's downtown dance scene since arriving in 1976. She has created more than 60 full-length company works, commissions and site-specific events for venues in 35 countries, constantly challenging the notion of performance for both audience and participant. Her work has been presented in such diverse venues as Pyramid Club, Danceteria, Joyce Theater, the Eiffel Tower, Newcastle Swing Bridge, City Center, Lincoln Center, the former National Theater of Sarajevo, the perimeter of the Hong Kong harbor, World Financial Center, and an ancient ruin in Macedonia, among many others.
Heather Litteer is an actress, performance artist and chanteuse originally from Georgia but now calls NYC her home. She is a member of Caden Manson’s Big Art Group touring internationally and in the states.
She is the recipient of the 2014 Fox Fellowship with The William and Eva Fox Foundation and TCG. La Mama will be her resident company throughout this process and will be presenting her one woman show "Lemonade" at La MaMa 2016.
Her daring film choices include working with directors Mary Harron, Jane Campion and Darren Aronofsky. Most recently playing the sexual revolutionary Queen Bee in John Reed’s Film “ReVo” and Vicky, a killer for hire in “Dumbo” with Brazilian director Gustavo Von Ah’. She is a Member of the legendary Jackie Factory.
Miriam Parker is a New York City born and bred dancer/performance artist and arts organizer. She feels very fortunate to have had the opportunity to work with the School of hard knocks for the past 4 years. In recent years she has been building her reputation in collaborative performance art, working with the artist Jo Wood Brown on a interdisciplinary project “InnerCity Projects”
Yukio Suzuki is a dancer and choreographer. In 1997 he began studying Butoh dance and later performed in works by Ko Murobushi and so on. In the year 2000 he founded his own company, "YUKIO SUZUKI Projects". The basic principal of his interpretation is not the technique, but the character of the dance language, for which he has been acclaimed even outside of his native Japan. He has been touring in over 40 cities worldwide, enthralling audiences with his pliant, delicate, and tenacious movements.
Christopher McIntyre leads a varied career as performer, composer, and curator/producer. He interprets and improvises on trombone and synthesizer and composes for TILT Brass, UllU duo, and Ne(x)tworks. He has recorded for Tzadik, New World, POTTR, and Mode. Curatorial work includes projects at The Kitchen, Guggenheim Museum, Issue Project Room, and The Stone, and Artistic Director of the MATA Festival (2007-10).
An intimate improvised session at bassist James Ilgenfritz's UWS apartment (post TILT Brass show at Miller Theater) featuring our host, Cleveland-based percussionist Ryan Jewell, Robbie Lee (baroque flutes/recorders), and Lester St Louis (cello), and CJM on trombone.
Email for exact address info: chriscmcintyre [dot] com
TILT Brass Sextet
l to r: Tim Leopold, Mike Gurfield, Will Lang, Jen Baker, Gareth Flowers, Chris McIntyre
POP-UP CONCERTS
Wild Ones - TILT BRASS
Tuesday, December 8, 2015, 6pm
Miller Theatre at Columbia University
FREE
Facebook Event Page
From Miller Theater's Event Page:
"Brooklyn’s “always fun and forward-looking” (The New Yorker) TILT Brass ensemble takes the stage for the final Pop-Up of the fall. TILT presents new works by contemporary composers Anthony Coleman, TILT co-founder Chris McIntyre, and Catherine Lamb, whose “vivid, evocative orchestral colours” (Guardian) have begun to earn her international acclaim. TILT will also provide their interpretations of existing works, such as an all-brass version of James Tenney’s Swell Piece and Australian composer Liza Lim’s Wild Winged One—an aria for trumpet and (aptly-named) wacky whistle.
All concerts start at 6 p.m. Admission is on a first-come, first-served basis, and doors open at 5:30 p.m."
PERSONNEL
TILT Brass Sextet
trumpet – Gareth Flowers, Mike Gurfield, Tim Leopold
trombone – Jen Baker, Will Lang, Chris McIntyre
PROGRAM
James Tenney Swell Piece for Alison Knowles (1967)
Sextet
Liza Lim Wild Winged One (2007)
Gareth Flowers, solo trumpet
Anthony Coleman A Fistful of Footfalls (2015) World Premiere
Sextet
Catherine Lamb overlay/smear (2015) World Premiere
Sextet
Chris McIntyre Dedifferentiation for Brass No. 3 (2015) World Premiere
Sextet and sound score
thestonenyc.com
Corner of Ave C & E. 2nd St, Manhattan
8PM, $10
Zeena Parkins and UllU (CJM and David Shively) join forces at The Stone in a first-time collaboration during Zeena's residency week.
Zeena Parkins - electric, acoustic harps, synth, things
UllU duo:
Chris McIntyre - trombone, synths, tapes
Dave Shively - feedback drums, metals, tapes
FRIDAY, NOV. 20TH
8PM, $10
Friend and colleague Zeena Parkins has new pieces for TILT Brass Sextet and collaborators for premiere at The Stone during her week-long residency in November 2015.
"New works written for TILT + Foley artists: Dylan Neely/Erin Cornell/Eleanor Hullihan + LACE PIECE with special guests GREEN DOME: Ryan Sawyer (drums) Ryan Ross Smith (Keyboards, electronics) Zeena (acoustic harp)"
TILT Brass Sextet
trumpet – Gareth Flowers, Mike Gurfield, Tim Leopold
trombone – Jen Baker, Will Lang, Chris McIntyre
Dedicated experimental musician Chris McIntyre (TILT Brass, Either/Or, UllU, Ne(x)tworks) performs a rare solo set using trombone, voice, live-electronics, and tapes. Far West Queens audiences will hear an evolving strata of sounds broken into pieces. Interrupted concentricities; the sound of alterania nervina.
Curated by Charles Waters
Facebook Event
"LOW/SOLO"
3 sets of solo exploration for low instruments
8pm Sara Schoenbeck - Solo Bassoon
9pm Chris McIntyre - Solo Trombone, electronics
10pm Jonah Parzen- Johnson- Solo Baritone Saxophone
thetranspecos.com
PERSONA
Music by Keeril Makan
Libretto adapted by Jay Scheib from the Ingmar Bergman screenplay
Direction by Jay Scheib
Music Direction by Evan Ziporyn
Music performed by Either/Or Ensemble
Co-commissioned by National Sawdust and Beth Morrison Projects
Beth Morrison Projects (National Sawdust group-in-residence) is the producer of this new work, which it co-commissioned with the venue. Composed by Rome Prize-winner Keeril Makan, with music direction by Evan Ziporyn and a libretto and direction by Jay Scheib, one of American Theater’s “Top 25 Directors Likely to Shape American Performance Over the Next 25 Years,” Persona is a provocative, highly cerebral, and artistically complex depiction of human frailty, cruelty, and identity.
National Sawdust event page
PERSONA
Music by Keeril Makan
Libretto adapted by Jay Scheib from the Ingmar Bergman screenplay
Direction by Jay Scheib
Music Direction by Evan Ziporyn
Music performed by Either/Or Ensemble
Co-commissioned by National Sawdust and Beth Morrison Projects
Beth Morrison Projects (National Sawdust group-in-residence) is the producer of this new work, which it co-commissioned with the venue. Composed by Rome Prize-winner Keeril Makan, with music direction by Evan Ziporyn and a libretto and direction by Jay Scheib, one of American Theater’s “Top 25 Directors Likely to Shape American Performance Over the Next 25 Years,” Persona is a provocative, highly cerebral, and artistically complex depiction of human frailty, cruelty, and identity.
National Sawdust event page
Music for Contemplation presents:
STUART DEMPSTER
SONIC BREATHING AND CIRCULAR MEDITATIONS
Saturday, October 3, 2015
8:05pm 10:05pm
Church of the Annunciation
259 N 5th St at Havemeyer and Metropolitan Brooklyn, NY 11211
Works by Stuart Dempster for solo trombone, didjeridoo and large trombone ensemble. The trombones resonate throughout the space, embracing listeners in their tones. Featuring Jen Baker and Monique Buzzarté.
$15 suggested donation at the door.
Tim Leopold - slide trumpet; Mark Broschinksy - alto trombone; Chris McIntyre - tenor trombone; James Rogers - bass trombone
TILT's new Slide Quartet joins composer/percussionist Harris Eisenstadt to perform a collection of work inspired by the secular form of Cuban batá drumming music called aberikula.
www.harriseisenstadt.com
www.thestonenyc.com
Final concert of 2015 5ive Boroughs Music Festival
Monday, June 29, 2015 at 7:30 PM
Pre-concert discussion at 6:30 PM
DiMenna Center for Classical Music
450 W 37th St, MANHATTAN
5BMF’s 2014-2015 season concludes in June with the exciting vocal talents of EKMELES! These master interpreters of avant garde vocal music, led by director and baritone Jeffrey Gavett, will join with musicians from TILT Brass and the loadbang ensemble in a thrilling program of works for brass and voice.
Featuring two US Premieres by contemporary European masters and a World Premiere by a young American talent, this new program showcases the flexibility and expressive possibilities inherent in voice and brass. Join us before the concert for a special discussion about creating works for these forces led by Ekmeles director Jeffrey Gavett, composer Christopher Fisher-Lochhead, and trombonist Will Lang (soloist in prosodia daseia).
Program
MATTHIAS SPAHLINGER: über den frühen tod fräuleins anna augusta marggräfen zu baden (US Premiere)
WOLFGANG RIHM: SKOTEINÓS (US Premiere)
CHRISTOPHER FISHER-LOCHHEAD: prosodia daseia (World Premiere)
Performers
Ekmeles: Charlotte Mundy, Mary Mackenzie, Kirsten Sollek, Tomás Cruz, Brian Giebler, Jeffrey Gavett, Kelvin Chan, and Steven Hrycelak, vocalists
Instrumentalists: Andy Kozar, trumpet; Will Lang, Chris McIntyre, Jen Baker and Matt Melore, trombones; Michelle Farah, oboe; Carlos Cordeiro, clarinet
Tickets: $25 General Admission
TILT Brass, 2014 Look & Listen Festival, Invisible Dog Arts Ctr
TILT Brass presents the 2015 installment of To TILT, its on-going series of concerts and recordings that feature work created for the organization's specific forces and skills. The program at University Settlement includes newly commissioned works written for TILT Brass Sextet by Lithuanian composer Žibuoklė Martinaitytė, and trombonist/composer and long-time TILT performer Jacob Garchik.
The Sextet will also premiere an expanded version of TILT Director Chris McIntyre's multi-movement work Fabrics (2014-15) and his transcriptions from Arthur Russell's Tower of Meaning, composed in the early 1980's.
This event takes place during a set of concerts co-organized by TILT and our stellar colleagues at Either/Or (performing on June 10th and 13th.) Located on Manhattan's Lower East Side, the excellent acoustics of University Settlement's Speyer Hall is a perfect venue for these not-to-be-missed concerts during NYC's busy Summer season.
Either/Or at Miller Theater
Next iteration of revered director and multimedia artist Yoshiko Chuma's multi-year project π = 3.14. CJM performs live on trombone, synths, and software.
Hiroyuki Ito for The New York Times
CJM joins and all-star group (James Rogers, Yarn/Wire, Ilan Volkov) to perform ensemble realizations of work by Wolf Eyes' Nate Young. Opening night of Tectonics Festival New York 2015.
Facebook Event Page
ISSUE Project Room's Tectonics Page
NOTE: ISSUE Project Room is hosting this event off-site
CJM is Music Director for an evening of works by renown visual artist and musician Stephen Prina.
Prina on Wikipedia
Petzel Gallery page
The Kitchen Event Page
Facebook Event Page
Personnel:
composer, guitar, vocal - Stephen Prina
Music Dir. - Chris McIntyre
oboe - Michelle Farrah
clarinet - Christa Van Alstine
trumpet - Tim Leopold
horn - Rachel Drehmann
trombone - Will Lang
violin - Jenny Choi
viola - Erin Wight
piano - Stephen Gosling
flute 1 - Margaret Lancaster
flute 2 - Barry Crawford
flute 3 - Jessica Schmitz
flute 4 - Katie Cox
flute 5 - Roberta Michel
flute 6 - Valerie Coleman-Page
L to R: James Tenney, Margret Lancaster, Cornelius Duffalo, James Fei, CJM, Daniel Goode
2005, ISSUE Project Room, E. 6th St, NYC
A James Tenney Concert: The Postal Pieces and Other Selected Works
Event Page
"As part of their current season dedicated to Carolee Schneemann, The Artist’s Institute presents a concert of rarely performed works by composer James Tenney (1934-2006), Schneemann’s romantic and creative partner during the first decade of her career. At the center of the program are selections from Tenney’s Postal Pieces (1965-1971), a series of eleven compositions originally written on postcards to contemporaries including Philip Corner, Alison Knowles, and La Monte Young, among others. Tenney referred to the set as “koans” and like the Buddhist paradoxes these pieces are both rigorously constructed and radically open to interpretation: “Having Never Written a Note for Percussion,” for example, indicates that any piece of percussion play a precise, symmetrical swell for a duration of “very long.” In Tenney’s words, these are sounds “for the sake of perceptual insight” that use their predictable, deductive forms towards a counter-intuitive indeterminacy: pure change without the safety-net of dramatic conventions.
Also included in the program is the early “Improvisation for Cello” (1956), as well as several late instrumental ensemble works and electroacoustic tape pieces. Eric Smigel, associate professor of music at San Diego State University, will introduce the concert with a presentation on the late composer’s life and work with Schneemann.
Organized by Alex Waterman
with special thanks to Larry Polansky
Performers: Shelley Burgon, Richard Carrick, Conrad Harris, Miguel Frasconi, Chris McIntyre, Reuben Radding, and David Shively"
TILT Brass kicks off its Spring 2015 season at JACK, an intimate neighborhood multi-arts venue located in Clinton Hill. The program revisits TILT's creative music origins with work highlighting the improvisational skill and experience of its players. The program features a wide range of recent and classic graphic and strategic scores. Composers include Berlin-based English composer and electronic musician Richard Barrett, an early composition by legendary composer and multi-instrumentalist Anthony Braxton, and selections from Cornelius Cardew's touchstone graphic score Treatise.
Facebook Event Page
PURCHASE TICKETS
[$12.50 advance, $15 door]
Detail from Braxton's "Comp. 18" (1971)
PERSONNEL
Chris McIntyre - Music Director, trombone
trumpet Timothy Leopold, Andrew Kozar, Tom Verchot
trombone Jen Baker, Jacob Garchik, Will Lang, James Rogers (bass)
Nathan Koci - horn, accordion
PROGRAM
Anthony Braxton 8KN-(J-6) [aka Comp. 18] (1971)
1
R10
Cornelius Cardew Selections from Treatise (1963-67)
Richard Barrett Codex XII (2013)
Other works TBA
http://empac.rpi.edu/events/2015/spring/talea-ensemble
Poppe's words on Speicher:
"Musical phenomena are never abstract. The idea behind Speicher is the search for extremes—extreme condensation, thinning, acceleration, broadening. For the piece to be able to continue and remain interesting, it is important—besides diversity—for the audience to be able to recognize certain parts. Anything can be recognizable—a single sound as well as a complete formal structure. Therefore it seems less important to keep inserting new ideas into the piece but rather to create an unpredictable network of derivations. The next step would be to be able to foresee what will happen next. Thus, an active way of listening would be created. But, in a reservoir [“speicher”], things always get into a mess anyway."
Talea Ensemble: Enno Poppe – Speicher from EMPAC @ Rensselaer on Vimeo.